{"id":1804,"date":"2021-12-02T18:34:18","date_gmt":"2021-12-02T18:34:18","guid":{"rendered":"https:\/\/www.paolonani.com\/?page_id=1804"},"modified":"2025-11-20T08:52:58","modified_gmt":"2025-11-20T08:52:58","slug":"la-lettera","status":"publish","type":"page","link":"https:\/\/www.paolonani.com\/it\/la-lettera\/","title":{"rendered":"The letter"},"content":{"rendered":"
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LA LETTERA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concept: Paolo Nani \/ Nullo Facchini<\/p>

Attore: Paolo Nani<\/p>

Regia: Nullo Facchini<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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La Lettera \u00e8 forse lo spettacolo danese pi\u00f9 conosciuto a livello internazionale. Dal suo debutto nel 1992, questo spettacolo \u00e8 stato presentato nei quattro angoli del mondo. Lo hanno visto in Groenlandia e in Cina, in Spagna, Norvegia, Finlandia, Italia, Brasile e Giappone... pi\u00f9 di 1600 repliche in 44 Paesi, fin ora.<\/p>

Si tratta dello spettacolo pi\u00f9 conosciuto di Paolo Nani. Gi\u00e0 riconosciuto come un classico, che continua ad attrarre spettatori di tutte le et\u00e0.
Solo sul palcoscenico, con pochi oggetti che possono stare tutti in una valigia, Paolo Nani da vita a 15 scene, variazioni di un unico tema, ma mostrate in 15 diverse varianti. La stessa storia \u00e8 rappresentata all'indietro, con sorprese, in maniera volgare, senza mani, come in un film western, in un horror, in modalit\u00e0 circense, ecc... e tutto questo senza dire una singola parola.<\/p>

LA LETTERA \u00e8 uno studio brillante sullo stile, sull'inventiva e sul ritmo scenico. \u00c8 ricco di dettagli e gags dall'inizio alla fine e non concede riposo ai muscoli della risata.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tGUARDA IL TRAILER<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Estratti di alcune recensioni<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cThere are shows that are born, live and die. Others that are born, flourish and consolidate\u00a0their position, and gradually embellish themselves from year to year, from presentation to\u00a0presentation. This is the case of THE LETTER, which Paolo Nani has been presenting around\u00a0the world for more than thirty years\u201d<\/em><\/p>

klpteatro.it – \u200b\u200bKrapp\u2019s Last Post, Feb. 2014<\/b><\/p>

—<\/p>

“A<\/span> distillation of mastery, theatrical wisdom, technique and inventiveness. And for once the term CULT is appropriate …<\/span>“<\/span><\/em><\/p><\/div>

La Repubblica<\/span>\u00a0–\u00a0<\/span>Milan – December 2012<\/span><\/b><\/p><\/div>

—<\/p><\/div>

“A<\/span><\/em>\u00a0perfect miracle of precision and talent – in world tour since 1992 – is a kind of encyclopedia of comedy.<\/span>\u201d<\/span><\/em><\/p><\/div>

Live Milano –\u00a0Milan –\u00a0November 2012<\/span><\/b><\/p><\/div>

—<\/p>

\u00a0“<\/em><\/span>Hallmarks of a cult show, no doubt.<\/span>\u201d\u00a0<\/span><\/em><\/p><\/div>

Irish Times –\u00a0<\/span>Ireland – July 2007<\/span><\/b><\/p>

—<\/p><\/div>

\u00a0<\/span>“So simple, so ingenious.<\/span>\u201d<\/span><\/em><\/p><\/div>

Porsgrunns Dagblad –\u00a0<\/span>Norway – 2004<\/span><\/b><\/p><\/div><\/div>

—<\/p><\/div><\/div>

\u00a0<\/span>\u201c<\/span>…\u00a0<\/span>the stomach hurts, after 80 minutes of ceaseless laughter.”<\/span><\/em><\/p><\/div>

DV – Reykjavik\u00a0–\u00a0<\/span>June 2000<\/span><\/b><\/p><\/div>

—<\/p><\/div>

\u00a0<\/span>\u201c<\/span>…one of the hits of last year’s London International Mime Festival<\/span>\u201d<\/span><\/em><\/p><\/div>

Evening Standard –\u00a0<\/span>London – January 2000<\/span><\/b><\/p><\/div>

—<\/p><\/div>

\u00a0<\/span>\u201c<\/span>Paolo Nani is a virtuoso<\/span>\u201d<\/span><\/em><\/p><\/div>

Frankfurter Rundschau –\u00a0<\/span>Frankfurt – 1995<\/span><\/b><\/p><\/div>

—<\/p><\/div>

\u201c<\/span>Simplicity often bear the hallmark of genius<\/span>\u201d \u00a0 \u00a0<\/span><\/em><\/p><\/div>

Svenska Dagbladet –\u00a0<\/span>Stockholm – 1999<\/span><\/b><\/p><\/div>

—<\/p><\/div>

\u201c<\/span>Paolo Nani, a master of textless theatre.<\/span>\u201d<\/span><\/em><\/p><\/div>

ABC –\u00a0<\/span>Madrid – 1997<\/span><\/b><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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EDINBURGH FRINGE FESTIVAL – 2019<\/b><\/p>

\u201cHilarious\u201d \/ \u201cThe Letter is one to check out\u201d \/ \u201cPhysical comedy from an outstanding performer\u201d<\/em><\/p>

TheWeeReview –<\/b> \u2605\u2605\u2605\u2605\u2605<\/p>

—<\/p>

“MUST SEE SHOW”<\/em><\/p>

FringeReview\u00a0<\/b><\/p>

—<\/p>

\u201cSheer genius\u201d \/ \u201cSublime\u201d<\/em><\/p>

Reviewsphere – Peter Callaghan<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cGenius!\u201d \/ \u201cMeticulously crafted and marvelously performed\u201d<\/em><\/p>

\u201cA master class in clowning\u201d<\/em><\/p>

Sardines Magazine \u2013 Cris Abbot –<\/b> \u2605\u2605\u2605\u2605\u2605<\/p>

—<\/p>

\u201cA crown prince to The Letter\u201d \/ \u201cEndlessly surprising and funny\u201d<\/i><\/p>

The Scotsman <\/b>– \u2605\u2605\u2605\u2605<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cHysterically funny and hugely impressive\u201d \/ \u201cMake your way to The Letter post haste\u201d<\/i><\/p>

Scottish Daily Mail –<\/b> \u2605\u2605\u2605\u2605<\/p>

—<\/p>

\u201cAn exceptional work of art and craftsmanship\u201d \/ \u201cOne of the world\u2019s greatest clowns and a show not to be missed\u201d\u00a0<\/i><\/p>

Edinburg Festival Magazine Review –<\/b> \u2605\u2605\u2605\u2605\u2605<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

THE LETTER Concept: Paolo Nani \/ Nullo Facchini Actor: Paolo Nani Director: Nullo Facchini THE LETTER is possibly the best-known Danish show on an international level. Since its premiere in 1992, this show has been presented in the four corners of the world. They’ve seen it in Greenland and China, Spain and Norway, Finland and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1804","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.paolonani.com\/it\/wp-json\/wp\/v2\/pages\/1804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.paolonani.com\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.paolonani.com\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.paolonani.com\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paolonani.com\/it\/wp-json\/wp\/v2\/comments?post=1804"}],"version-history":[{"count":20,"href":"https:\/\/www.paolonani.com\/it\/wp-json\/wp\/v2\/pages\/1804\/revisions"}],"predecessor-version":[{"id":6023,"href":"https:\/\/www.paolonani.com\/it\/wp-json\/wp\/v2\/pages\/1804\/revisions\/6023"}],"wp:attachment":[{"href":"https:\/\/www.paolonani.com\/it\/wp-json\/wp\/v2\/media?parent=1804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}